Commemoration of the Fifteenth Anniversary of Aaliyah’s Death: Recap and Review of Her Final Public Television Interview on BET’s 106 & Park

This was Aaliyah’s final public interview.

On August 21, 2001, Aaliyah appeared on this show to give away the grand prize of her “Get Paid in the Escalade Contest.”  Every day for the past month, an audience member received a one thousand dollar cash prize, and was entered to win the grand prize of twenty thousand dollars in cash, and a black 2002 Cadillac Escalade SUV.

Aaliyah also announced that her next single would be “Rock the Boat” and that she would begin filming the video the next day.  A video for “More than a Woman,” which was originally intended to be her the second single from her self-titled album, had already been filmed, but she confirmed that it would be released after “Rock the Boat.”

We learn some personal information about Aaliyah.  She says that she has never owned a vehicle because living in New York means there is no point, since New York is not a car-friendly city, but she would like to have a truck if she did have her own automobile.  Her video for “Age Ain’t Nothing but a Number” was shown as the episode’s “old school joint,” an older music video, and Aaliyah explained that this was the only video she did in Detroit, which was where she grew up (Aaliyah was born in New York City).  Several of her friends appeared in the video.  Other of her favorite videos that she did included “One in a Million” and “Are You That Somebody?” because the latter consisted entirely of one of her favorite things: dancing.

Aaliyah also got the chance to interview some of the finalists.  She asked one young woman what she would do if she won the car.  She said she would drive to beach.  When Aaliyah asked what she would do with the money, she said that she would help her family and then  go on a shopping spree.

Eventually, the winner was chosen: a young man named Julian Hawkins.

This was really nice.  Aaliyah showed how relatable she was, and how much she loved to give back.  Of course, in hindsight, it seems bittersweet, but we saw how in her final days, she was still doing what she loved and reaching out to others.

Commemoration of the Fifteenth Anniversary of Aaliyah’s Death: Recap and Review of A Behind-the-Scenes Look at Her Final Music Video “Rock the Boat” on BET’s Access Granted

This was the last footage of Aaliyah, other than the music video for “Rock the Boat.”

On August 22, 2001, Aaliyah began filming the music video in Miami.  The video was directed by Hype Williams, who has directed other videos for many hip-hop and R&B artists.

Aaliyah is in a studio filming a dance routine in front of a green screen.  The green screen would later be replaced by tidal waves in post-production.  We meet her “sister,” her very close friend, Fatimah Robinson, who created the routine.  Robinson stated that the dance moves were based on African and Caribbean (specifically Jamaican reggae and dancehall) influences.  The two also joke about how they try to please Aaliyah’s mother in making sure that the routine is not too sexy.  We also meet Aaliyah’s hair stylist and makeup artist, who wold also perish in the plane crash that happened three days later.

That night, Aaliyah films scenes underwater in a swimming pool.  The illusion is created to make it look as though she is wimming in the ocean.  She struggles to use the breathing machine, and so she holds her breath, and later, she states that it was hard, but worth the beautiful footage, they captured.

On August 24, 2001, production had since moved to Marsh Harbour, Abaco Islands, The Bahamsa.  Aaliyah is up early in the morning to film scenes on the shore of the beach.  She says that it is painful to wake up so early to get ready for filming, but she will do anything to make a great video.

Later she films scenes under what appears to be a hut, and the next day, she films scenes on a boat.  We also see footage of some free time, where she lunges by a pool with her makeup artist.  She asks her clothing stylist to explain how he is inspired to dress her as he does.

This episode is nice, but sad, as Aaliyah and her entourage are having so much fun (despite working very hard) on this video, and yet, they have no idea that this would be the last major thing they ever do.  Filming in a tropical paradise location, and having not a care in the world, except for the work they are doing, and not knowing they would die soon, makes the tragedy all the more heartbreaking.


Commemoration of the Fifteenth Anniversary of Aaliyah’s Death: Recap and Review of Her Episode of MTV’s Stripped

MTV’s  Stripped was a series where celebrities were interviewed in a unique way.  Instead of a person asking them questions, they would pick their own questions to answer.  The questions would be split into various categories.  And the guest would pick up a piece of paper and talk about what is written.

The episode featuring Aaliyah is seemingly the most well-known episode, and has apparently gone viral in the years following her tragic death.  When you google  “MTV Stripped,” many of the search results are related to her episode.  On Tumblr, all of the search results are related to her episode.

The episode is nice because it shows who Aaliyah the person is.  She talks about lots of things, and she shows that she is just like any non-celebrity person.

For example, Aaliyah talks about what she does to chill.  She likes to take bubble baths, or alternately, she will read a book; she said that she was currently obsessed with Harry Potter and that she is on the second book.

Aaliyah talks about musicians she admires.  She praises a not so popular, but talented singer named Lewis Taylor.  She got starstruck when she attended a public MTV for Janet Jackson, and Stevie Wonder, a singer she is a huge fan of, asked to meet her.  And her “soul sister” Sade, who shares the same birthday, and whom she praises for never compromising who she is as an artist, even if she were to take a long hiatus.  She also expresses admiration for Britney Spears and NSYNC, especially Justin Timberlake.

Aaliyah talks about being a celebrity.  She says that she doesn’t talk about her relationships because although being a celebrity means you give up lots of privacy, she feels the need to keep at least one thing out of the public eye, and that thing is her love life.  Another thing she mentions is rumors.  Aaliyah found it funny that people claim that she has a glass eye, and that that is why she constantly wears sunglasses and covers her left eye with her hair.  But she seems annoyed when she recalled how one person asked her to her face if she has a glass eye.  The person could clearly see that she does not.

Aaliyah is not afraid be a little negative.  She expresses a fear of motorbikes.  And she refuses to talk about an embarrassing date.  She also confesses to having changed a grade on her report card from a C to an A.

Celebrity interviews can be very intersting, and it is especially nice to seem them lead the way, and to give them a chance tell us about them.  Aaliyah, because she was very relatbale made this very enjoyable.


Was it wrong for Disney to censor Fantasia to remove the character Sunflower?

This post is an expanded version of something I wrote on Quora.

One of the most controversial aspects of Disney’s Fantasia is the censorship of the character Sunflower from the Pastoral Symphony segment of the film.

Sunflower is a centaurette (female centaur) who is depicted as being a hybrid of a young black girl and a donkey.  She is shown performing duties as a servant to the other centaurettes who are depicted in a wide variety of pastel colors.

Beginning in the 1960s, Sunflower was deemed a racist and negative depiction of black people, and her scenes in the film were deleted.  Beginning in 1990, the scenes were restored, but the shots she was in were cropped (zoomed in) so that she could not be seen, except for one that was.  For the 2010 DVD and Blu-ray release, Some scenes had Sunflower digitally erased, and others were cropped to a smaller extent than in earlier releases, all to reduce graininess.

There is much debate over whether she should’ve been removed from the film.  There are those who say that she should be censored in order to move away from the attitude of depicting black people as negative stereotypes.  Others say that she shouldn’t be censored because such portrayals were very common in animated films of the time, and that removing them is the same as saying that they never existed in the first place.  Some believe that there should be a middle ground; in other words, for example, the late film critic Roger Ebert felt, “While the original film should, of course, be preserved for historical purposes, there is no need for the general release version to perpetrate racist stereotypes in a film designed primarily for children.”

Also of note: There are other black characters in the segment.  There are two identical unnamed centaurettes who are part young black women and part zebra and another young black girl donkey centaurette named Otika who in the original rolls out a red carpet; in all versions currently available, Otika is digitally removed so that the red carpet appears to unroll by itself, and the zebra centaurettes have never been altered or removed from the film.



Sunflower’s scenes can be viewed here and here.

Review and Recap of Heavenly Creatures: One of Peter Jackson’s Early Films Before The Lord of the Rings Trilogy and The Hobbit Trilogy

This movie is based on a true story, a story that happened in director Peter Jackson’s native New Zealand in 1952-1954.

The film begins with a newsreel of Christchurch, New Zealand. It then segways to two teenage girls, Pauline Parker and Juliet Hulme running through the woods, screaming hysterically at the tops of their lungs. They make it out of the woods, covered in blood, and they reveal that Pauline’s mother Honora is dead.

The movie then flashbacks to sometime in 1952.  Pauline Parker (Melanie Lynskey) is a fourteen-year-old girl.  She is very sullen, and she dis-satisfied with her life, often spending time alone.  She meets Juliet Hulme (Kate Winslet), a wealthy girl from England, whose family has just moved to New Zealand, and they become fast friends.  They are both excused from physical education class because of their respective health issues.  Pauline was diagnosed with osteomyelitis when she was a child, and she had to get multiple surgeries on her legs; Juliet suffered from tuberculosis, and her parents, Henry and Hilda, sent her to the Bahamas for five years during World War II in order for her to recuperate.

As the two girls grow closer and closer, they come up with their own fantasy world, Borovnia, which is inhabited by what appear to be life-sized gray plasticine sculptures that are sentient and can move around like humans.  They begin writing novels about the world together, and they plan to publish them and have them made into a series of Hollywood movies.  Juliet also tells Pauline about “the Fourth World” which she says is better than heaven and contains an appreciation of art and music.  The two girls very regularly escape from the real world into Borovnia and once into the Fourth World.

Pauline and Juliet are inseparable.  However, things start to go south.  First of all, Juliet falls ill with tuberculosis.  Her parents send her to a hospital for four months, and they leave the country.  Pauline only has limited opportunities to see Juliet in person.  Juliet feels that her hospitalization is proof that her parents don’t really care about her, as they sent her away to the Bahamas during World War II “for the good of [her] health,” as they put it, and apparently, they had no contact with her.  Pauline’s relationship with her mother also begins to deteriorate.  This is compounded when she is caught in bed with a young man who was lodging with her family.

Pauline’s parents become concerned with their daughter’s obsessive friendship with Juliet.  Honora takes her to the doctor who tells her that she may be homosexual (at the time, of course, homosexuality was considered to be a mental illness), but that it’s only a “phase” that will go away.

One night, Juliet catches her mother, Hilda having sex with another man.  She tries to blackmail her mother, but Hilda reveals that her father already knows, and that her lover, one of her clients, will be staying in their home temporarily.  Henry reveals that he and Hilda are getting divorced.  Pauline is there to comfort Juliet when she hears the news.  Henry also reveals that he is leaving the family home.  Juliet is unwilling stay with her mother, and Henry reveals that Juliet will be moving to South Africa to live with an aunt so that the warmer South African client will be “for the good of [her] health.”

Pauline and Juliet are devastated about being separated.  They both want go to South Africa together, but they are told that that’s impossible.  None of their parents will allow it.  They conclude that Honora is the obstacle standing in their way, and they make plans to murder her.

One day, Honora invites Pauline and Juliet on a picnic in the woods.  While Honora is distracted, they hit her on the head with a brick, and continue doing so until she is dead.  The two girls are charged with murder.  Since they are minors, they can’t be sentenced to death.  Instead, they are sentenced to an indefinite term in prison or as the court put it “ at Her Majesty’s pleasure.”  After five years, Juliet and Pauline are released from prison on the condition that they never contact each other ever again.

This is where the movies ends; however, in real life, they moved on with their lives…without each other.  According to Wikipedia:

Trial and aftermath[edit]

The trial was a sensational affair, with speculation about their possible lesbianism and insanity. The girls were convicted on 28 August 1954, and each of them spent five years in prison as they were too young to be considered for the death penalty. Some sources say they were released with the condition that they never contact each other again,[3] but Sam Barnett, then Secretary for Justice, told journalists there was no such condition.[4]

The murder was touched upon as strong evidence of moral decline less than four months later by the Special Committee on Moral Delinquency in Children and Adolescents in what became known as the Mazengarb Report, named after its chair, Ossie Mazengarb.

After her release from prison, Juliet Hulme spent time in the United States and later began a successful career as a historical detective novelist under her new name, Anne Perry. She has been a Mormon since about 1968.[5] The fact that Perry and Hulme were the same person was not well-known until 1994. In March 2006, Perry argued that while her relationship with Pauline Parker was obsessive, they were not lesbians.[6]

Pauline Parker spent some time in New Zealand under close surveillance before being allowed to leave for England. As of 1997, she was living in the small village of Hoo near Strood, Kent, and running a children’s riding school.[7] As an adult, she became a Roman Catholic. She expressed strong remorse for having killed her mother and for many years refused to give interviews about the murder.[7]

I learned about the case a few years ago.  I thought that it would make an excellent movie.  Then I found out that it was made into a movie.  I found it on Netflix, and I watched it.

I found it fascinating to watch the story of a close friendship unfold.  As I said in a few previous posts, I find it very enjoyable to see movies that are about close, intimate relationships between two people, whether familial, platonic, or romantic.

The story really pulls you into the world that the girls created for themselves.  It is fascinating to see the depictions of Borovnia, and how real it was to them.  The film also shows how friendship can go wrong, and how unhealthy and destructive it can be.

I think what I can take from the movie is that it is wonderful to feel close to someone, to have to one true, close, deep friend.  But you can’t let a friendship allow you to harm others.




Recap and Review of The Fault in Our Stars (The Film Adaptation of the Book)

The Book About the Teens With Cancer.  That’s what people may think of The Fault in Our Stars, but it’s really not.  It’s a story about life, love, and loss.  It’s a story about how we deal with bad, unfair circumstances.

I was introduced to the book by my sister, and I only read the first chapter.  This spring, I saw the film adaptation.  It was quite enjoyable.

Hazel Grace Lancaster (Shailene Woodley) is a teenage girl was diagnosed with thyroid cancer that spread to her lungs, rendering unable to breath without oxygen tanks.  She takes experimental medication that has helped to prolong her life.  Her parents force her to attend a support group for teens with cancer, and she meets the free-spirited Augustus Waters (Ansel Elgort), who lost his lower right leg to bone cancer, and has a prosthesis.

As the two become close, they bond over Hazel’s favorite book, An Imperial Affliction, which is about a a young girl who dies from cancer.  Confused over the abrupt ending, Augustus convinces Hazel to email the author Peter Van Houten (Willem Dafoe), who lives in Amsterdam, to inquire about the meaning of the ending.  He emails back and invites Hazel to come to visit him.  Augustus is able to obtain tickets from a charity, and things are all set.

Hazel is excited, but then she gets hospitalized.  Her doctors are unwilling to let her travel, but they are soon convinced.  While in Amsterdam, Hazel and Augustus have a romantic dinner, paid for by Van Houten, and the the next they meet Van Houten, but he rudely dismisses them.  His assistant (who arranged everything that Hazel and Augustus did) makes up for it by taking them to the Anne Frank House, and while there, inspired by a recording of Frank’s words, they kiss.  That night, they have sex for the first time, but the following morning Augustus reveals that his cancer has returned and is terminal, having spread throughout his body.  He is going to die.

Back at home, Augustus and Hazel struggle to cope with Augustus’s impending death, as his health deteriorates.  With his best friend Isaac (Nat Wolff), who lost both of his eyes to cancer, Hazel throws a pre-funeral for him.  Shortly afterwards, Augustus dies after the cancer spreads to his heart, stopping it in the process.  Naturally, Hazel is devastated.

At Augustus’s funeral, she sees Van Houten.  It tuns out that Augustus insisted that he attend his funeral as a way to make amends for how he treated him and Hazel.  He  explains that the main character of his book was based on his own daughter who died from cancer.  He also gives her a piece of paper.  Hazel balls the piece of paper up, but later she learns from Isaac that Van Houten helped Augustus write a eulogy for her.  She finds the paper and reads it.  She is moved by his words and is happy that she knew him.

I saw this movie because it was assigned by my my professor in my Interpersonal Communication class as an example of how relationships unfold and develop.

What I liked about the film was that it was full of purely honest emotion.  It was not sappy or melodramatic like lots of films concerning such subject matter.  Cancer was an important part of the characters’ development, but it did not define them, and it did not seek to make them perfect or saintly or the like.  What made the movie special was that it was realistic, it was not saccharine, and it was about living life in spite of its difficulties.


Recap and Review of Four Moons (Original Title: Cuatro Lunas)

Cuatro lunas is a Mexican film focusing on four different generations of gay men and boys in Mexico City, each represented by one of the four main phases of the moon.


Hugo and Andres are introduced first.  They have been together for ten years, but Hugo is not a fan of Andres’s feminine mannerisms,  andespecially, their refrigerator which is completely covered with magnets.

Things grow more complicated when Hugo confesses to having an affair with Sebastian.  Andres is devastated, and he begs Hugo not to leave him.  The two men agree to stay together if Hugo stays away from Sebastian for two weeks.  However, Hugo breaks his promise, and he sees Sebastian again.

He manages to break things off with Sebastian, and he and Andres make plans together to see a play.  However, Hugo decides to see Sebastian at a sex club.  When Sebastian says no to a man in the club, and the man continues to make advances towards him, Hugo intervenes, and the man smashes a bottle on his head.

Hugo leaves, and he calls Andres.  Andres takes him to the hospital, where Hugo gets his wounds treated.  Hugo returns home to see that Andres is gone.  Andres has moved into a new home, and looks forward to his new life alone.  Hugo decides to decorate the refrigerator with magnets, as a sign that he will always remember his time with Andres.


The next story that is introduced is that of a timid eleven-year-old Mauricio.  Mauricio has a crush on his cousin Oliver.  The two bond over video games, but Mauricio deep down wants more than just a platonic or familial relationship.  This is shown when Oliver sleeps over one night, and Mauricio watches him sleeping, while closing his eyes quickly when he thinks that Oliver is waking up, and when the next morning, Mauricio touches his lips onto Oliver’s cup of milk when no one is watching, so that he could “indirectly kiss” Oliver.

Mauricio’s relationship with his parents.  At one point, Mauricio asks them for the new Street Fighter video game.  They object because they just bought him one, but Mauricio did not know that the new one was coming out.  Hector snaps at Mauricio when he pleads for the game.  But Laura is more gentle and suggests that Mauricio sell the old game, and help him with chores around the house.  Hector intercedes, insisting that Mauricio do a more “masculine” chore to help earn the money for the game.

Some time later, Mauricio goes to his priest.  He asks the priest if being gay is sin.  The priest tells him not to worry because there is no way that he could be gay.

Later on, Oliver and his parents show up for dinner one night.  Mauricio takes Oliver to his bedroom so that they can play the new Street Fighter game.  After Mauricio beats Oliver, Mauricio tries to make small talk; what happened next really shocked me, and the conversation turns sexual.  Mauricio asks Oliver if he knows what circumcision is.  Oliver responds that he does.  Mauricio asks Oliver if he is circumcised; Oliver says yes, and Mauricio says that he is not.  Mauricio asks Oliver if he has ever seen an uncircumcised penis, and Oliver responds that he has at the showers of the club (I’m assuming a health club, or maybe a country club); Mauricio says that he’s never seen a circumcised penis, and he asks Oliver to show him his penis.  Oliver balks, saying “Don’t be a faggot.”  Mauricio offers to show his penis to Oliver, and Oliver agrees.  After that, Oliver does the same, and Mauricio remarks on how circumcised penises look better, though Mauricio claims that their the same.  Mauricio asks to touch it, and Oliver once again, rejects his advance in a homophobic manner.  Mauricio points out to Oliver that he is erect; Mauricio reaches over, and he begins to manually stimulate Oliver.  Oliver finds this pleasurable, but then makes another homophobic remark, stops the encounter and goes back downstairs to the living room, leaving Mauricio feeling hurt over how their relationship has been destroyed. (It needs to be pointed out that this scene has no nudity, and the sexual content is only imply and NEVER depicted directly.)  This scene really shocked me because it is unusual for children of this age to be depicted in a sexual act, even if the act is only implied; it also somewhat rare for young gay children to be depicted on screen.

Shortly afterwards at school, Oliver and a group of two boys taunt Mauricio for being gay and Oliver accuses him of wanting to grab boys in their crotches.  Mauricio tries to ignore them, but Oliver and the two boys begin a fight with Mauricio.  In the principal’s office, along with Mauricio’s parents, and Oliver’s parents, Oliver admits, readily and without remorse, to hitting Mauricio, and says that Mauricio should tell them why.  Mauricio does not want to tell them, and so Oliver says (in a derogatory and homophobic manner) that Mauricio is gay, and that’s why they hit him.  The principal asks why he’s saying that.  And Oliver tells Mauricio to tell them what he did to him in his house.  Oliver and Mauricio’s mothers suggest that they end the meeting right now, but Hector demands that Mauricio tell the truth.  Oliver then tells them that Mauricio grabbed him down there, but Mauricio insists that it was consensual.  Hector leaves the office in disgust, and the meeting is ended.

Back at home, things are tense.  Mauricio comes downstairs for dinner, and Hector leaves.  Later that night, Laura tells Hector about their son’s headache, that still hasn’t gone away.  Hector doesn’t want to do anything about because it is not a big deal to him.  He also blames Laura for Mauricio being gay, saying that she is way too soft towards him.  Later on, Laura calls the doctor, and Hector picks up medicine for Mauricio.

Fortunately, things start to look up.  Laura tells Mauricio that she loves him no matter what and Hector isn’t angry at him, but angry at the entire ordeal.  Soon afterwards, Hector sets up a punching bag for Mauricio to teach him self-defense in case he gets into a another physical confrontation.  We last see Mauricio cooking pancakes for Hector and Laura and decorating them with strawberries.


The third story introduced is that of Joaquin.  Joaquin is married and is a father and grandfather.  Nonetheless he goes to gay saunas.  He sees Gilberto, a male prostitute, and and asks him how much for sex.  Gilberto demands 1500 pesos, but Joaquin balks at such a price.

Later on, we see more of what appears to be a mid-life crisis.  Joaquin is a published poet, and a local university is planning a ceremony to honor his achievements.  He feels a sense of disconnection from his family.

Finally, Joaquin convinces Gilberto to sexually service him.  After that, Joaquin asks for one more thing: He wants Gilberto to attend his ceremony.  Gilberto agrees.  And at the ceremony, they share a brief private kiss, as Gilberto prepares to reunite with his wife and child in America, and Joaquin looks forward to the .


Finally, we meet Adolfo (known as Fito) and Leo who are college students.  Leo approaches Fito, who does not recognize him at first, and Leo tells him that they were friends when they were young.  Fito suddenly remembers, and they embrace each other.  They are both originally from Tepic, Nayarit, but they lost touch with each other when Leo and his family moved to Mexico City.

As Leo and Fito get re-acquainted, Fito tells Leo that his father died, and that he and his mother, Aurora, who is still distraught over her husband’s death, and who spends most of her free time watching telenovelas, moved to Mexico City where his aunt helped Aurora get a job, as his  late father was the family’s breadwinner.

One night, Leo spends the night at Fito’s home, sharing the same bed, and the next morning they kiss each other.  Leo asks Fito if he is gay, but Fito says he doesn’t now.  Leo denies being gay when Fito asks him.  The two young men get closer and closer, and they have sex for the first time, which is an awkward experience for the both of them, but despite that, it is still very enjoyable for the two young men, and afterwards, Fito tells Leo that he is falling in love with him.

One day, a classmate asks if Leo and Fito are a couple.  Leo angrily denies such and thing, and later, he tells Fito that he doesn’t want anybody to know that he’s gay because he doesn’t want the public at large to mistreat him because of that.  Fito tries to come out to Aurora, but she stops him, because she feels incapable of dealing with it without her late husband.

Leo’s desire to stay closeted results in them missing out on a date at a theater where Leo sees his aunts.  Leo states that he does not want his family to know or even suspect that he is gay.  He says that his family has given too much to him and sacrificed too much for him, and he does not want to disappoint them.

Another night, Fito prepares to be picked up by Leo on a date, but Leo never shows up.  He is consoled by Aurora, whom he came out to offscreen, and who tells him that the right man will not be ashamed to be with him.

Shortly afterwards, Fito moves on.  Leo learns from one of their mutual friends that Fito is out of the closet and that he has a boyfriend and goes to gay bars and such.  Fito soon realizes that he still has feelings for Leo.  This happens when Aurora mentions that a character on her favorite telenovela  is marrying a certain man even though she really, truly loves another man.

Leo decides to go to a sex club, but his plans are thwarted when everyone in the club runs out due the fact that a man was injured with glass bottle.  The man happens to be Hugo.  They briefly look at each other, and Hugo leaves.

After this, Leo approaches Fito at his home.  Leo has come out to his family, and they want to meet Fito, on the condition that he introduce Leo as his boyfriend.  Leo agrees, and they embrace.  Their story ends with the two of them sleeping in the same bed.


This was a nice movie for a lot of different reasons.

This was not a traditional narrative.  Netflix described it as an anthology film.  Rather than being one primary narrative, it has four. However, unlike anthology films that have each story self-contained, Cuatro lunas switches between the two stories in the same way that films with ensemble casts do.  Also, despite telling four different stories, none of them intersect except for a brief moment when Leo encounters Hugo; such intersections happen in movies that are part of a type of genre that is called hyperlink cinema.

A couple of years ago at least, I’d been interested in anthology films.  I’d seen one: Things You Can Tell Just By Looking at Her (which will be the subject of a future post after I re-watch it).  They  are different from the traditional way of depicting a narrative on films, and I wish there were more mainstream ones.

The four stories in this film were all very interesting to see.

The story of Andres and Hugo was a good portrait of a long term relationship that went south.  I liked how to depicted some conflicts within the gay community, specifically that between masculine gay men and feminine gay men.  It was rather intense, when Hugo outright tells Andres that he prefers masculine men.  It seems as though Hugo does not totally love Andres, and it is easy to understand to why he cheated.  Andres tries to make the relationship work, but of course, eventually, he moves on.  This shows how you should not be with someone you cannot completely accept, and that you should not be with someone who is ashamed and embarrassed to be with you.

Mauricio’s story was most interesting.  It is still rare for children of this age to come out at gay.  It is also rare gay children to depicted on the screen.  What I liked about Mauricio was how despite his age, he knew who he was and what he wanted, and he knew that he couldn’t fight it.  It would be great if all children could as self-assured as he was.

Joaquin’s story was kind of odd to me.  Perhaps because of his age, it was hard to understand his midlife crisis.  There is not much information as to why he pursued gay sex.  Perhaps he is bisexual and didn’t want fight his feeling for men, anymore?  There is ambiguity in the end of his story, as he clearly has a sense of closure, and he treasures his encounter with Gilberto.  It does not seem like he is gay.  Maybe this is a one time thing?  Maybe Joaquin was only going to the gay saunas because he grew up in a time where being gay was not accepted (Mexico is more gay-friendly than before, but there is still a long way to gay, as everywhere else in the world, to varying extents)   Still, it was a depiction of how some people spend their entire lives fighting a part of themselves.

Fito and Leo’s story was fun to see.  It’s nice to see friends reunite after a long time, and even, to see them realize that they want more than just a friendship.  However, it was important to see how it can be hard for a relationship to grow if one person wants to keep it a secret, and one person does not.  Fortunately, everything all worked out in the best.  Fito learned to follow his heart.  Leo learned to embrace his identity.

This movie was really good.  Some things happened off screen, when they should have happened on screen (Fito coming out to his mother), but this was a great movie that showed very many examples of the gay experience.